A whole new Traveler

If you've read through this blog before, you may remember that I posted a song in March called Traveler.  Well, I came across a completely different version of it the other day that I had forgotten about.  This was recorded around the same time but I never did anything with it.  Anyway, after giving it another listen, I decided that it had a nice feel to it.  So, I added a bass line, organ and drum track (all real, no MIDI) While it's rough, I'm pretty happy with how it turned out.   So tell me, which do you prefer...this one or the earlier one?

Slow Sad Rain

 "Could have been a way out..but I've got no place to go..."

Is this song finished?  I can't really tell.  Sometimes I want to add a baas and drum track.  Other times I want to subtract the organ and clean guitar and just leave a reverberated storm of vocals and distorted guitars.   The first time I recorded this song was in about 2005.  At the time it was played at this same pace, but with acoustic guitar and fiddle.  I toyed with the idea of making it a mid-tempo rocker but I don't think that matches the lyrics.  So, I compromised and kept it slow but with a definite hard edge. 

What do you think?  Too much organ, too much guitar fuzz?   Not enough cowbell? 

Dirt Lanes

"These highways will take you anywhere you want to go.  But the dirt lanes and the back roads will always take you home."

Dirt Lanes is my attempt at a classic country waltz.   Lyrically, I don't have much of a back story for this one.  Its been floating around in my head for a few years and I finally committed it to paper just as I was getting ready to start recording.  I recorded a melody for this song on several instruments and somehow ended up using them all.  I finally picked up a keyboard so I was able to add a true organ sound rather than a midi one.  In fact, the only midi on this track is the bass line.  One of these days I'll get a bass guitar and then I'll be able to record the whole thing "live" (i.e. no midi).  Here's the lineup for the track:


Vocals - slight EQ and Reverb...otherwise completely natural
Acoustic Guitar - slight EQ and Reverb...otherwise completely natural
Bass - Midi generated
Organ - I used my newly acquired Casio CTK with an organ tone.  I then added a tremolo effect after the recording to simulate a Hammond / Leslie sound.
Piano -  Same as above, just used some sort of piano on the Casio.
Mandolin - That's me playing through a microphone
Lead Guitar - Going for the telecaster sound.  I used a couple of pedal effect pre-recording...reverb and tremolo.
Drums - That's actually me playing live.  I found a voice on my DM-8 for the great rim shot.  

Hope you enjoy.  Let me know what you think.

Luck and Gravity (version 2)

A few weeks ago, I posted an original mix of this song. Well, I wasn't very happy with how it came out and, frankly, I've been a little unsure about whether or not to even keep it on the site.   After a few weeks, and working on other songs in the interim, I decided to take another pass at mixing and editing the song.  So, I present to you version 2.  I considered simply replacing the old file with thew new but decided against it.   Since this is a songwriting blog, I decided to show a part of the process. 

Here's an overview of what I changed:
1.  I slowed the song down by a few percentage points. The song was originally recorded at 100%.  Version 1 was sped up to 118% and this version is 114%.
2.  I pulled back the drum fills and start them later in the song.  I felt like they were too distracting in the beginning of the song.
3.  I removed some of the dual lead areas.  I think one is still left in, but the others just focus on either mandolin or guitar but not both.
4.  I added compression and a master limiter to get more volume.
5.  I added a flanger effect to the acoustic guitar to give it a nice roving feel.  I dialed it back though so as not to overpower the rest of the parts..
6.  I added some chorus effects to the vocals
7.  I adjusted the general EQ of the individual pieces
8.  I created a double of the acoustic guitar track. I then EQ'd out all but the low end frequencies.  This helps compensate (I hope) for the fact that I don't have a bass part in the song. 

I think that's it.  What do you think?  Can you tell the difference?

Also, here's a copy of the lyrics:
Hey Girl, where'd you go
I ain't the same boy you used to know
things have changed, those times are gone
Its left us here all alone

But I ain't afraid to hit town
in the middle of the night
And I ain't about to let you say
that what i'm telling you ain't right

(chorus)
I say Romeo, he ain't got nothing on me
Juliet, she ain't the girl, we always thought she'd be.
That whirlwind keeps us spinning many miles above the ground
And its only luck and gravity that keeps us coming back around, to this town.

I dreamed I saw you walking in the rain
Standing there alone I saw you calling out my name
I know that things are different then they were back in those days
I find some comfort knowing things they'll never stay the same

(chorus)

After all the things that we've been through
Did you know that I still think of you sometimes.
After all the things that we've been through
Did you know that I still think of you sometimes.

These paradigms of self and time lay lost along the way
And our only price for heaven is the hell we have to pay

(chorus)

Words and Music copyright 2012 - Bonus Room Music

Dog Days Of Summer

Here's my first real shot at garage rock.  I've been listening a lot lately to The Replacements and I wanted to record a song that had a similar pre-grunge alternative, unpolished sound to it...I do unpolished particularly well.  I've also been listening a lot lately to bands like the Drive-By Truckers.  I wanted to try and replicate that same 3 guitar attack that they, in turn, borrowed from the classic rock giants of the 70s.  I also threw in a little mandolin to country it up a notch or two.  Here's a rundown of the instrumentation:

Drums - I'm playing an electronic set and recording as midi
Guitar 1 - no distortion but with a slight phaser effect
Guitar 2 - heavy distorion and reverb
Guitar leads - heavy distortion and tremolo
Bass - all midi generated
Mandolin - Just a little reverb
Vocals - lots of reverb and compression

I used compression on nearly every track to get this sucker as loud as possible.   It just isn't garage rock if it doesn't leave you with your ears ringing.

I hope you enjoy.  Let me know what you think.